Shining a light on The Everest

Dear Racing NSW,

I feel your pain.

All you were trying to do was share the edge-of-your-seat excitement, the spine-tingling adrenalin rush of that one day in October – the greatest sporting event ever held
in Australia, neigh, the universe: The Everest.

The Great Barrier Reef, the ultimate billboard for The Everest

They don’t understand the magnitude of what you are trying to achieve.

Those rabid, inner city, ABC-watching, latte-sipping punters. No, you can’t call them punters; they wouldn’t know the thrill of losing their rent money on what should have been a sure thing at Hawkesbury on a Thursday afternoon. Those unAustralian bastards, pathetically trying to upstage your brilliant Opera House event by waving their lights like 21st century flaming torches.

The Everest. Congratulations on the name, it is so inspiring, so Australia, so Sydney. It evokes… the 14 tons of human waste that has been carried down from base camp and other locations on Mount Everest this year.

Look, I know your promotion for the race that stops the… well, just stops, had a bit of a fall as it turned for home. I’ve saddled up some feisty advertising and PR campaigns over the years 
and I can help.

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We dig the heels in and get the whip out with the genius idea of projections.
It worked so well at the Opera House, we have a red hot go at other iconic Aussie billboards, starting with Ayers Rock. Forget that PC “Uluru” bullshit, it’s Ayers Rock. You can’t tell me that massive sandstone monolith wouldn’t make a great projector screen to beam the race live.

When I think of The Everest, I think big (also a nod to the champion thoroughbred that saluted the judge in the ’74 and ’75 Melbourne Cups). We screen the race on the big things conveniently scattered around Australia in key lose-your-shirt-on-the-punt demographics:
The Big Banana, The Big Merino, The Big Lobster, The Big Pineapple, The Big Boxing Crocodile and of course The Big Ned Kelly. They’re all champing at the bit for The Everest.

Speaking of big, our piece of resistance is a projector screen that covers 344,400 square kilometres – The Great Barrier Reef.

Those greenie-pinko protesters will tell you that it’s dying due to climate change,
which is crap, but we need to have it totally white to use as a screen. So I’ve contacted every race club secretary in Australia and a few hours before the race we’re going to have a convoy of 70,000 utes park on the Reef, revving their engines and the exhaust fumes will finish it off, just in time for the gates to spring open. I reckon next year, we actually run the race on the Reef.

In the time-honoured, venerable one-year history of The Everest,
I assure you, this will be the greatest ever. Giddy up.

©Steve Williams 2018

Sydney The High Vis City

So I was back in Sydney recently. I live in Europe, and it was the first time I had been back in Sydney in almost four years.

Being a fairly observant type, I noticed quite a few changes. In no particular order…

*Why is every pub meal now $30? A few years ago if you paid 15 bucks you were ripped off.

*Why does every pub have those same funky hipster light globes? Maybe that explains the above.

*Why do restaurants have those BS time-limited seatings? “We’ve managed to fit you in at 3.27am but we will need your table at 3.29am.”

*Why are those towers at Barangaroo designed so they will look dated in about half an hour?

*Why is there an M4 freeway… M5 and M7 but no M6? Also what the hell is the A4?
My hire car’s satellite navigation thingo had NFI.

*Speaking of the M4, why didn’t they future-proof it when they first built it, instead of digging it up every five minutes and turning it into a seething, angry carpark?
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*Why does every beverage you order anywhere arrive in a mason jar? Have glasses been banned
as part of the lockout laws? I want a drink, not a pickle or a secret handshake.

*Why does the entire population of Sydney now sport a High Vis vest? When did that become a thing? I saw a photo of HSC markers wearing them. The most dangerous thing that could possibly ever happen to them is a rather nasty paper cut.

*When did Australian TV become so, well, crap? I watched Goggle Box for the first time
and I thought the TV shows they were discussing were parodies. Apparently they’re not.

*Can someone, anyone, please do something about Sydney Airport? It really is a shocker.

*Without sounding like a squawking breakfast radio announcer, why are there posters around the city saying “Happy Christmas” instead of “Merry”? Is the word “Merry” offensive now?
I didn’t get the email.

Having said all that, it was wonderful to be back.
Sydney really is one of the greatest cities in the world.

Words and image ©Steve Williams 2017

Queen – Thirty Years : Sydney to Munich

Thirty years is a long time between fandangos.

Adam Lambert worships at the Church of May (photo: mlk.com)

The last time I saw Queen was 1985 in Sydney on the Australian leg of The Works tour.

I had followed their journey since my first purchase of a single — Bohemian Rhapsody in 1975, which still occupies the rockstar position in my record collection.

1985 seems like a lifetime ago, I was a fresh-faced twenty-year-old, but I remember the concert as though it was yesterday. “Spectacular” is merely one adjective.

Queen + Adam Lambert in Munich last Monday night was always going to be a different experience — Freddie Mercury’s absence, and John Deacon’s retirement from the band.

I was no stranger to Adam Lambert, having followed his 2009 American Idol journey, singing Bohemian Rhapsody at the audition, culminating in a performance with Brian May and Roger Taylor.

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Lambert is no Freddie Mercury impersonator. A talented performer in his own right, possessing a rather insane vocal range and wonderful showmanship, he brought another dimension to the night.

It wasn’t Queen Karaoke — Lambert’s unique phrasing added another layer to the songs ingrained in music history. He brought a sense of playfulness — performing Killer Queen reclining on a chaise lounge, his powerful, arena-filling voice nailed Save Me and Who Wants to Live Forever, and he gave Queen’s time-honoured classics their due respect.

This wasn’t the Adam Lambert Show, he was the “plus” — it was all about Queen — Brian May and Roger Taylor were at the top of their game, enjoying performing to Queen fans and the new mix of “Glamberts” — deliciously indulgent solos demonstrating their extraordinary talent. The cliché “rock royalty” more than applies.

May mentioned recording in Munich — indeed,  One Vision (and the music video), Crazy Little Thing Called LoveAnother One Bites The Dust and Save Me among others were all recorded at Munich’s famed Musicland Studios.

Concert standouts? Hard to isolate one, but Freddie Mercury’s “duet” with Lambert on Bohemian Rhapsody had me back in 1985. Somewhat bizarrely, another of my favourite moments (or twenty two and a half minutes) was the background music playing before the band took the stage.
I always love that time — the audience is in place, the anticipation is building — everything is set. The piece of music was Queen’s atmospheric instrumental Track 13 off the Made in Heaven album.

It will be interesting to see how the fusion of Queen + Adam Lambert plays out.

Watch this space…

©Steve Williams 2015

Barry O’Farrell – when good manners attack

So. Australian political leader — NSW Premier Barry O’Farrell has resigned in what has become known as #GrangeGate.

The resignation was not over the gift of a $3,000 bottle of 1959 Penfolds Grange Hermitage, no, what brought Barry unstuck were his good manners.

Hi Ho Silver! Away…

On Tuesday, the then Premier fronted the Independent Commission Against Corruption, denying under oath he had received the bottle of wine in question.

His downfall was his handwritten thank you note, which miraculously arose today (well it is nearly Easter).

Bad blue Barry. You shouldn’t have listened to the enclave of etiquette experts that tsk “obviously every gift requires a thank-you note.”

The heady topic has been covered by Oprah, and Jimmy Fallon writes out his thank you notes each week. Thankfully he is taking the proverbial.
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Barry even religiously followed the suggested format for his thank you note — addressing the giver, expressing gratitude, and how much the gesture means to him.

All very proper — now he’s out of a job. For a simple scrawl about a bottle of red that was allegedly on the nose.

This all happened the very day The Duke, Duchess and Prince of Cambridge (Kate’n’Will’n’George to us Aussies) arrived in Sydney for the start of their Australian wave-a-thon.

Barry was supposed to host Mr & Mrs C. at a galah Sydney Opera House knees-up, though was an obvious no-show. Bugger.

I hope Mrs O’Farrell kept the receipt for the frock she was going to wear.

©Steve Williams 2014